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Wagnerian

American  
[vahg-neer-ee-uhn] / vɑgˈnɪər i ən /

adjective

  1. of, relating to, or characteristic of Richard Wagner or his works.

    Wagnerian grandeur; a Wagnerian soprano.


noun

  1. Also Wagnerite a follower or admirer of the music or theories of Richard Wagner.

Wagnerian British  
/ vɑːɡˈnɪərɪən /

adjective

  1. of or suggestive of the dramatic musical compositions of Richard Wagner, their massive scale, dramatic and emotional intensity, etc

  2. denoting or relating to a singer who has a voice suitable for singing Wagner

  3. of or relating to a big, powerful, or domineering woman

    a Wagnerian maiden

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

noun

  1. a follower or disciple of the music or theories of Richard Wagner

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Etymology

Origin of Wagnerian

First recorded in 1870–75; Wagner + -ian

Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

Full of thunderous strings and Wagnerian vocals, it starts off as an opera song, changes tempo three times, introduces a guest verse from Bjork and ends with an almighty rave breakdown.

From BBC

But only a short walk away, at the world’s most storied opera house, all that fanfare fades into Wagnerian gloom.

From The Wall Street Journal

He “has mystical tendencies, no common sense, and a Wagnerian taste for heroics and death. He was born loaded with vanities and has developed megalomania as his final decoration.”

From The Wall Street Journal

But it was in the staging of his own plays that he approached the Wagnerian ideal of the Gesamtkunstwerk or integrated artwork.

From Los Angeles Times

“That’s why I chose that orchestration that is very what I call ‘aerial,’ and Wagnerian, and kind of also Hollywood — which I never knew that I could do.”

From Los Angeles Times